As a composer, Richard Rodgers was a tunesmith who knew how to create hits. In working with Lorenz Hart, he became a composer who provided the foundation for a poet who mastered the nuance of language.
It reads:. Hart then weaves an intricate picture of exactly what is to be enjoyed on and around the island. He writes:.
The subway charms us so When balmy breezes blow To and fro. Sweet pushcarts gently gliding by. The lyrics is a joyful tour of everything wonderful the city and its environs have to offer a couple in love as it finds great joy in simplicity and nuance. Recorded 1 September , Camden N.
Recorded 8 June , New York. Recorded 29 July , New York. Recorded 7 November , New York. Recorded July , London. Recorded 1 November , New York. Recorded 25 April , New York. Recorded 3 March , New York.
Recorded 20 February , New York. Recorded 5 July , Hollywood. Recorded 20 December Recorded 4 May , London. Recorded 21 February , Los Angeles. Recorded 21 September , Los Angeles. Recorded 28 March , New York. Recorded 25 September , New York. Recorded 15 October , New York. It really captures the whole conceit of A Connecticut Yankee —the juxtaposition of dialogue from the time of King Arthur and the modern day, encapsulated in the title alone.
Here, Rodgers is at his jazzy best and Hart is preposterous in the way he rhymes nonsense words, archaic phrases, and contemporary slang—classic s musical comedy!
They would reappear in the s to even greater success, but the turn of the decade marked a period of reflection and a flirtation with Hollywood. From this period, the shows they produced produced far fewer song hits. But here is one, from Present Arms , which has become a household standard. Headline Image: New York City. CC0 License via Pixabay. Our Privacy Policy sets out how Oxford University Press handles your personal information, and your rights to object to your personal information being used for marketing to you or being processed as part of our business activities.
We will only use your personal information to register you for OUPblog articles. Follow Billboard. All rights reserved. Since composer Richard Rodgers and lyricist-dramatist Oscar Hammerstein II are co-writers on Grande's new smash hit, here are five things to know about the legendary musical theatre writing duo.
Rodgers and Hammerstein were university acquaintances, but did not work together until years later Before teaming up with Hammerstein, Rodgers worked with lyricist Lorenz Hart on more than 40 successful musical comedies that were popular on Broadway, in London and in Hollywood.
After Hart passed away in the early s, Rodgers reached out to Hammerstein to collaborate on a reconstruction of a play, Green Grow the Lilacs by Lynn Riggs. Their first musical together was Oklahoma!
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